Author: web desk

Luanda – The writer and founder of the nation, António Agostinho Neto, posthumously won the National Prize for Culture and Arts, 2022 edition.

Justifying the award, the jury stressed  the crosscutting and multifaceted value of his work and thought, for the way he opens up to the problem of culture in Angola, of national languages.

António Agostinho Neto was born on September 17, 1922, in Kaxicane, Icolo e Bengo, and died on September 10, 1979.

As the first President of Angola, he proclaimed the country’s independence from Portuguese colonial rule on November 11, 1975.

He is a reference of national culture, having written several works translated into several languages, such as “Quatro Poemas de Agostinho Neto”, in 1957, “Sagrada Esperança” (1974) and “A Renuncia Impossível” (1982).

The National Prize for Culture and Arts was established in 2000, with the purpose of rewarding creators in the disciplines of literature, cinema and visual audio, visual arts, performing arts and research in human and social sciences.

The award also recognises contributions in the field of cultural journalism and popular cultural festivities.

The objective is to encourage artistic and cultural creation, as well as scientific research in the field of human and social sciences”.

 

 

Source: Angola Press News Agency

 

Caxito – The Prosecutor Marty Olavo Kandando warned Monday in Caxito, Bengo province, about the need to create a maritime court in the country, aimed at preventing litigation.

Addressing a topic on “Maritime Litigation”, during the 2nd Legal Awareness Activities, the prosecutor stressed the need to think about creation of a Maritime Court to deal with litigations.

“Several countries have already done so and it is recommended that Angola do the same. The Maritime Court is a force of the judiciary that would certainly help in improving the living conditions of those involved in the sector and in the resolution of disputes, if criminal competence is involved”, he explained.

As for the piracy at sea, he clarified that the Angolan criminal legislation has a deficit, since it does not typify this type of crime, but, even so, there are initiatives that propose to collaborate in the fight against this crime.

The PGR activities held in Bengo aim to raise the legal awareness of the population on issues related to customs, tax, maritime litigation and consumer rights.

Tuesday’s activity will include the presentations on food safety and consumer rights.

In Bengo, the Prosecutor’s Office is represented in the municipalities of Dande, Ambriz, Nambuangongo, Dembos, Bula Atumba and Pango Aluquém

 

 

Source: Angola Press News Agency

China’s third and final module docked with its permanent space station Tuesday to further a decadeslong effort to maintain a constant crewed presence in orbit, as its competition with the United States grows increasingly fierce.

The Mengtian module arrived at the Tiangong station early Tuesday morning, state broadcaster CCTV said, citing the China Manned Space Agency.

Mengtian was blasted into space on Monday afternoon from the Wenchang Satellite Launch Center on the southern island province of Hainan. It was expected to take about 13 hours to complete the flight and docking mission.

A large crowd of amateur photographers, space enthusiasts and others watched the lift-off from an adjoining beach.

Many waved Chinese flags and wore T-shirts emblazoned with the characters for China, reflecting the deep national pride invested in the space program and the technological progress it represents.

“The space program is a symbol of a major country and a boost to the modernization of China’s national defense,” said Ni Lexiong, a professor at Shanghai University of political science and law, underscoring the program’s close military links.

“It is also a boost to the confidence of the Chinese people, igniting patriotism and positive energy,” Ni said.

Mengtian, or “Celestial Dream,” joins Wentian as the second laboratory module for the station, collectively known as Tiangong, or “Celestial Palace.” Both are connected to the Tianhe core module where the crew lives and works.

Like its predecessors, Mengtian was launched aboard a Long March-5B carrier rocket, a member of China’s most powerful family of launch vehicles.

Tiangong is currently populated by a crew of three astronauts — two males and one female, according to the China Manned Space Agency.

Chen Dong, Cai Xuzhe and Liu Yang arrived in early June for a six-month stay on board, during which they will complete the station’s assembly, conduct space walks and carry out additional experiments.

Following Mengtian’s arrival, an additional uncrewed Tianzhou cargo craft is due to dock with the station next month, with another crewed mission scheduled for December, at which time crews may overlap, as Tiangong has sufficient room to accommodate six astronauts.

Mengtian weighs in at about 23 tons, is 17.9 meters long and has a diameter of 4.2 meters. It will provide space for science experiments in zero gravity, an airlock for exposure to the vacuum of space and a small robotic arm to support extravehicular payloads.

The already orbiting 23-ton Wentian, or “Quest for the Heavens” laboratory is designed for science and biology experiments and is heavier than any other single-module spacecraft currently in space.

Next year, China plans to launch the Xuntian space telescope, which, while not a part of Tiangong, will orbit in sequence with the station and can dock occasionally with it for maintenance.

No other future additions to the space station have been publicly announced.

In all, the station will have about 110 cubic meters of pressurized interior space, including the 32 cubic meters added by Mengtian.

China’s crewed space program is officially three decades old this year, with the Mengtian launch being its 25th mission. But it truly got underway in 2003, when China became only the third country after the U.S. and Russia to put a human into space using its own resources.

The program is run by the ruling Communist Party’s military wing, the People’s Liberation Army, and has proceeded methodically and almost entirely without outside support. The U.S. excluded China from the International Space Station because of its program’s military ties.

Despite that, China is collaborating with the European Space Agency on experiments aboard Mengtian and is cooperating with France, Germany, Italy, Russia, Pakistan and the U.N. Office for Outer Space Affairs (UNOOSA) on a range of projects from aerospace medicine to microgravity physics, according to the Chinese Academy of Sciences.

Prior to launching the Tianhe module, China’s Manned Space Program launched a pair of single-module stations that it crewed briefly as test platforms.

The permanent Chinese station will weigh about 66 tons — a fraction of the size of the International Space Station, which launched its first module in 1998 and weighs around 465 tons.

With a lifespan of 10 to 15 years, Tiangong could one day find itself the only space station still running, if the International Space Station adheres to its 30-year operating plan.

China has also chalked up successes with uncrewed missions, and its lunar exploration program generated media buzz last year when its Yutu 2 rover sent back pictures of what was described by some as a “mystery hut” but was most likely only a rock. The rover is the first to be placed on the little-explored far side of the moon.

China’s Chang’e 5 probe returned lunar rocks to Earth for the first time since the 1970s in December 2000, and another Chinese rover is searching for evidence of life on Mars. Officials are also considering a crewed mission to the moon.

The program has also drawn controversy. In October 2021, China’s Foreign Ministry brushed off a report that China had tested a hypersonic missile two months earlier, saying it had merely tested whether a new spacecraft could be reused.

China is also reportedly developing a highly secret space plane.

China’s space program has proceeded cautiously and largely gone off without a hitch.

Complaints, however, have been leveled against China for allowing rocket stages to fall to Earth uncontrolled twice before. NASA accused Beijing last year of “failing to meet responsible standards regarding their space debris” after parts of a Chinese rocket landed in the Indian Ocean.

China’s increasing space capabilities was also featured in the latest Pentagon defense strategy released Thursday.

“In addition to expanding its conventional forces, the PLA is rapidly advancing and integrating its space, counterspace, cyber, electronic and informational warfare capabilities to support its holistic approach to joint warfare,” the strategy said.

The U.S. and China are at odds on a range of issues, especially the self-governing island of Taiwan that Beijing threatens to annex with force. China responded to a September visit to Taiwan by U.S. House Speaker Nancy Pelosi by firing missiles over the island, holding wargames and staging a simulated blockade.

 

 

Source: Voice of America

 

A plan to search for unmarked graves at a former Native American boarding school in Kansas is on hold amid a disagreement between the Shawnee Tribe and state and city officials overseeing the site.

The Kansas Historical Society announced last year that the Kansas Geological Survey at the University of Kansas would conduct a ground-penetrating radar survey at the Shawnee Indian Mission in Fairway.

However, Fairway officials said last week the proposal was on hold indefinitely after Shawnee Tribe Chief Ben Barnes raised concerns that the tribe was not consulted about the proposal and future plans for the 4.86-hectare (12-acre) site.

The Shawnee Tribe pushed last year for a study of the site, formerly known as the Shawnee Indian Manual Labor School. It was one of hundreds of schools run by the government and religious groups in the 1800s and 1900s that removed Indigenous children from their families to assimilate them into white culture and Christianity.

Fairway City Administrator Nathan Nogelmeier said in a statement that the Kansas Historical Society (KHS), which owns the site, met with Barnes in August and offered him the opportunity to consult before the work began.

On Monday, Barnes said that as he was leaving a meeting at the historical society he was given a short paper saying the organization had begun the process of working with the university on the ground-penetrating work.

“That’s not consultation,” Barnes said. “Consultation is a well-defined term. It’s not as I’m leaving stuff a piece of paper into my hands.”

Several experts told the tribe the proposal was insufficient and didn’t follow federal law concerning consulting with tribes in such situations, Barnes said.

In his statement, Nogelmeier said the historical society and the city of Fairway expect the Shawnee Tribe to try to persuade the Kansas Legislature next year to convey the land from the state to the Shawnee Nation.

“The KHS is on record opposing such a conveyance due to its historical significance to Kansas not just while it operated as the manual labor training school but due to other events and time periods as they related to Kansas’s history,” Nogelmeier said. “Further, Chief Barnes has not made any commitments about what he and the Shawnee Nation view as the future use of the land if they become owners of the site.”

While acknowledging that the tribe is not opposed to conveyance, Barnes suggested the state and Fairway officials are trying to use the issue as a political ploy and the timing of last week’s statement raises questions about whether the tribe is welcome in the process.

“I find that insinuation troubling,” Barnes said. “We have always been clear about our vision for the site. Regardless of who owns it, it centers on protection and restoration. To say otherwise is patently false, and they know it’s patently false.”

The move to inspect the mission’s grounds came after the U.S. Department of Interior announced a nationwide initiative last year to investigate federally operated Indian boarding schools. That would not have included the Shawnee Indian Manual Labor School, which was founded in 1939 and run by Methodist minister Thomas Johnson.

At one point, it had 16 buildings on about 800 hectares (2,000 acres) and nearly 200 students a year ranging in age from 5 to 23. The current 4.86-hectare (12-acre) site holds three buildings, which are on the national and state historic registries.

 

 

Source: Voice of America

 

During the Day of the Dead celebrations that take place in late October and early November in Mexico, the living remember and honor their dearly departed, but with celebration — not sorrow.

Marigolds decorate the streets as music blares from speakers. Adults and children alike dress as skeletons and take photos, capturing the annual joy-filled festivities. It is believed that during the Day of the Dead — or Dia de Muertos — they are able to commune with their deceased loved ones.

No one knows when the first observance took place, but it is rooted in agriculture-related beliefs from Mexico’s pre-Hispanic era, said Andrés Medina, a researcher at the Anthropological Research Institute of the National Autonomous University of Mexico. Catholic traditions were incorporated into the celebration after the Spanish conquest in 1521.

“In that mythology, the corn is buried when it’s planted and leads an underground life for a period to later reappear as a plant,” Medina said. The grain of corn is seen as a seed, comparable to a bone, which is seen as the origin of life.

Today, skeletons are central to Day of the Dead celebrations, symbolizing the return of the bones to the living world. Like seeds planted under soil, the dead disappear temporarily only to return each year like the annual harvest.

Altars are core to the observance as well. Families place photographs of their ancestors on their home altars, which include decorations cut out of paper and candles. They also are adorned with offerings of items once beloved by those now gone. It could include cigars, a bottle of mezcal or a plate of mole, tortillas and chocolates.

Traditional altars can be adorned in a pattern representative of a Mesoamerican view that the world had levels, Medina said. But not everyone follows — or knows — this method.

“To the extent that Indigenous languages have been lost, the meaning (of the altar) has been lost as well, so people do it intuitively,” he said. “Where the Indigenous languages have been maintained, the tradition is still alive.”

The way Mexicans celebrate the Day of the Dead continues to evolve.

Typically, it is an intimate family tradition observed with home altars and visits to local cemeteries to decorate graves with flowers and sugar skulls. They bring their deceased loved ones’ favorite food and hire musicians to perform their favorite songs.

“Nowadays there’s an influence of American Halloween in the celebration,” Medina said. “These elements carry a new meaning in the context of the original meaning of the festival, which is to celebrate the dead. To celebrate life.”

In 2016, the government started a popular annual parade in Mexico City that concludes in a main square featuring altars built by artisans from across the country. The roughly three-hour-long affair features one of the holiday’s most iconic characters, Catrinas. The female skeleton is dressed in elegant clothes inspired by the engravings of José Guadalupe Posada, a Mexican artist who drew satirical cartoons at the beginning of the 20th century.

On Friday afternoon in the capital city, Paola Valencia, 30, walked through the main square looking at some of the altars and explained her appreciation for the holiday: “I love this tradition because it reminds me that they (the dead) are still among us.”

Originally from the Mexican state of Oaxaca, she said the residents of her hometown, Santa Cruz Xoxocotlán, take a lot of time to build large altars each year. They are a source of pride for the whole community.

“Sometimes I feel like crying. Our altars show who we are. We are very traditional, and we love to feel that they (the dead) will be with us at least once a year,” she said.

 

 

Source: Voice of America

Mexican artisans are struggling to preserve the traditional manufacture of paper cut-out decorations long used in altars for the Day of the Dead.

Defying increasingly popular mass-production techniques, second-generation paper cutter Yuridia Torres Alfaro, 49, still makes her own stencils at her family’s workshop in Xochimilco, on the rural southern edge of Mexico City.

As she has since she was a child, Torres Alfaro punched stunningly sharp chisels into thick piles of tissue paper at her business, “Papel Picado Xochimilco.”

While others use longer-lasting plastic sheets, laser cutters or pre-made stencils, Torres Alfaro does each step by hand, as Mexican specialists have been doing for 200 years.

In 1988, her father, a retired schoolteacher, got a big order for sheets — which usually depict festive skeletons, skulls, grim reapers or Catrinas — to decorate city government offices.

“The business was born 34 years ago, we were very little then, and we started helping in getting the work done,” Torres Alfaro recalled.

Begun in the 1800s, experts say “papel picado” using tissue paper is probably a continuation of a far older pre-Hispanic tradition of painting ceremonial figures on paper made of fig-bark sheets. Mexican artisans adopted imported tissue paper because it was cheap and thin enough so that, with sharp tools, extreme care and a lot of skill, dozens of sheets can be cut at the same time.

But the most important part is the stencil: its design designates the parts to be cut out, leaving an intricate, airy web of paper that is sometimes strung from buildings or across streets. More commonly, it is hung above Day of the Dead altars that Mexican families use to commemorate — and commune with — deceased relatives.

The holiday begins Oct. 31, remembering those who died in accidents; it continues Nov. 1 to mark those died in childhood, and then those who died as adults on Nov. 2.

Traditionally, the bright colors of the paper had different meanings: Orange signified mourning, blue was for those who drowned, yellow was for the elderly deceased and green for those who died young.

But many Mexicans — who also use the decorations at other times of year, stringing them at roof-height along streets — now prefer to buy plastic, which lasts longer in the sun and the rain.

Still other producers have tried to use mass-produced stencils, which means that tens of thousands of sheets might bear exactly the same design.

“Stencils began to appear for making papel picado, because it is a lot of work if you have to supply a lot of people,” said Torres Alfaro, who still hand-cuts her own stencils with original designs.

“We wanted to keep doing it the traditional way, because it allows us to make small, personalized lots, and keep creating a new design every day,” she says.

Another rival was the U.S. holiday Halloween, which roughly coincides with Day of the Dead. Because it is flashier and more marketable — costumes, movies, parties and candy — Halloween has gained popularity in Mexico.

“For some time now, there has been a bit more Halloween,” said Torres Alfaro. “We do more traditional Mexican things. That is part of the work, to put Mexican things in papel picado. If we do Halloween things, it’s only on order” from customers.

Still others have tried to use 21st-century technology, employing computer-generated designs and laser cutters.

But Torres Alfaro says that concentrating so much on the cutting leaves out the most important part: the delicate webs of paper left behind.

“There are some laser machines that are gaining popularity, but we have checked them and the costs are the same, the machines still cut hole-by-hole and they can’t cut that many sheets,” she said.

“The (ready-made) stencils and the laser machine have their downsides,” she said. “Papel picado is based on what can be cut, and what can’t, and that is the magic of papel picado.”

 

 

Source: Voice of America